*, that's where I can really flex. We are writing a long-form story (1200-1500 words), but sticking to the one-sentence-per-paragraph constraint with H2 subheadings to keep it digestible. It's going to be a classic "Watcher on the Sycamore Lane" story, with Mark Vance, our main character, paranoid and observing his dead neighbor's house. I want it to be told in a natural spoken English. We're revealing secrets and plot points gradually. The door is going to explode because of a federal raid. Mark's daughter, whom he thought was dead, orchestrated the whole thing.
Finally, the *
